The Harvest as Resiliency

In today’s rapidly urbanizing world, resilience is no longer just a buzzword but necessary for a thriving community. At Capitol Hill Urban Cohousing (CHUC) in Seattle, resiliency is not an afterthought but an instigator for the community-built project. CHUC is a lived prototype for architects and Schemata Workshop co-founders, Grace Kim and Mike Mariano, who live upstairs and work in the street-level office space. In this 5-story building, nine households create a thriving, interdependent community rooted in shared values, meals, and mutual support. Privacy and the individual are supported by the knowing and understanding of each other. As with any group of people, it’s imperfect and requires commitment and working together. This is not just architecture or just housing, but a vision for urban living that fosters connection and resilience for generations to come.

Ariel Footage from Uytae Lee’s About Here on Youtube

Resilience goes beyond sustainability. Grace and Mike heard an architect at an international conference once describe sustainability like a personal relationship. If I said I had a sustainable relationship with a partner, that doesn’t sound like it’s very positive. If I have a resilient relationship, then we’re able to weather the ups & downs of a relationship, and a community can be resilient during environmental shocks and stresses. Resilience is embedded in every design decision now reflected in the building that nine families have called home for nearly a decade.

A recent post on our whiteboard for the garden reminded us of resiliency in the context of the harvest.

We harvest daylight through our community courtyard at the heart of our community, bringing daylight and cross-ventilation to the homes. There is no enclosed, windowless corridor here; residents move throughout the community on covered outdoor balconies. Resident life is visible in this intimate courtyard space, plants draping over balconies, the sound of resident life coming through open doors and windows, and activity on every level.

We harvest energy from the sun through the photovoltaic panels on our upper roof. We’re a small site, and the payback on solar panels is long due to our (currently) low-cost hydroelectric power provided by one of the cleanest utility providers in the nation.

And, of course, the garden harvest on the lower roof. Photosynthesis generates fresh food that nourishes our community – produce used on site by residents, and an entire bed of produce cared for by one resident family is delivered to the nearby Byrd-Barr Place food bank.

Grace shares her lived experience and work in cohousing in her 2017 TED Talk about how cohousing can make us happy and live longer.

As profiled in the book Ideal Cities, CHUC exemplifies the kind of intentional community that contributes to the neighborhood social fabric while addressing environmental challenges.

CHUC is not just a place to live but a model of what’s possible when architecture, community, and sustainability intersect with intention.

Learn more about CHUC at our monthly Saturday tour!

Click the link and use code RESILIENCE for free tickets until the end of 2025!

5 AAPI Architects and Designers You Need to Know

In honor of Asian American Pacific Islander Heritage Month, Schemata wants to shed light on a few architects and designers of the AAPI community that have contributed to the architectural history of America as well as those who continue to push the boundaries of architecture and design today.

Minoru Yamasaki

Minoru Yamasaki is a first-generation Japanese American master architect born in Seattle, WA. During his time studying architecture at the University of Washington, he was also working in an Alaskan cannery to pay for his tuition. Working alongside fellow Asian coworkers, many of whom were poor, inspired Yamaski to invest in his talents and use them in a way that would make his life meaningful to both himself and those around him.

While Yamasaki is best known for being the mastermind behind the design of the World Trade Center, his work can be found in the skylines of many cities across the U.S.. In Seattle specifically, he is to credit the for the designs of the IBM building, Rainier Tower, and the Pacific Science Center- a current Schemata project.

Isamu Noguchi (1904 – 1988)

Isamu Noguchi is a half Japanese half Irish artist and designer born in Los Angeles, California. While he is best known for his sleek and organic furniture designs, Noguchi also created sculptures, gardens, lighting designs, ceramics, architecture and set designs; drawing inspiration from the places he traveled and lived throughout his life. His work simultaneously subtle and bold, traditional and modern, set a new standard for the reintegration of the arts.

Today, you can find one of his many public sculptures “Black Sun” at Capitol Hill’s very own Volunteer Park!

To learn more about Isamu Noguchi, visit https://www.noguchi.org/

Annie Han and Daniel Mihalyo

Annie Han and Daniel Mihalyo are a Seattle-based duo who founded Lead Pencil Studio- a firm that contains both an architectural practice that specializes in residential and commercial buildings and an art practice that focuses on site-specific pieces that reimagine the conditions of architecture at full scale. Han, who was born in South Korean and Mihalyo, a Washington native, joined forces as undergraduate students at the University of Oregon where they won a design competition as well as the State of Oregon Development of the Year Award. Almost a decade after graduating, they opened their firm in 2002. Since then, the couple’s work has been featured in several museums and galleries throughout the US and they have continued to receive grants, awards, and residencies, thus, creating the blueprint to successfully bridge the gap between art and architecture.

To view their current projects, visit https://www.leadpencilstudio.org/

John Belford- Lelaulu

Driven by the idea of social design, Belford- Lelaulu has collaborated with nonprofit organizations across the globe such as Habitat for Humanity to design spaces that cater to the specific needs of communities battling various hardships.

In an interview with Architecture Now, he describes how his Samoan background influences his approach to his work:

“There’s a (Samoan) proverb which is ‘O le ala i le pule o le tautua’, meaning, ‘The path to authority is through service, in order to do anything in Samoa, you need to be serving. You can’t just become an architect or a chief. You have to be helping different members of the community. For me, I ask myself how I can serve the most vulnerable people in our communities.”

Through this work, he also developed a new perspective on architecture and its societal impact. This realization then sparked a desire to create more opportunities for young Pasifika people, like himself, to explore humanitarian and social architecture. As a result, he established MAU Studio – providing educational opportunities and experiences that allows New Zealand’s youth to connect with their culture and engage with their community through meaningful architecture.

To learn more about John Belford-Lelaulu, check out this article

Suchi Reddy

Suchi Reddy is an Indian-American architect, artist, and founder of Reddymade- a design firm based in New York. The firm’s portfolio offers a wide variety of projects ranging from single family homes to public sculptures, all embodying Reddy’s cutting edge approach to art and design. Reddy’s Work has been featured in places such as Time square and The Smithsonian where it welcomes societal engagement and generates dialogue around topics of both local and global relevance.

One of her recent pieces, “me+you” is an interactive installation that debuted at the Smithsonian back in November of 2021. The sculpture combines elements of both architecture and artificial intelligence by inviting audience members to speak their “future vision” into one of the many designated points of the cloud base and, in response, the piece uses AI to translate the meaning, tone and sentiment of their words to then be reflected in a unique combination of color & light.  According to Reddy, the piece serves almost as an “Interactive mandala”- a spiritual Icon of South Asian religious art.

For more information about Suchi Reddy and her approach to design, check out this article recently featured in W Magazine.